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FOH and monitor engineer Brandon Blackwell
(photo by Julien Jarry).

 


PRESS RELEASE
Contact: Clyne Media, Inc.
Tel: (615) 662-1616
Fax: (615) 662-1636

FOR IMMEDIATE RELEASE

Live Sound Engineer Brandon Blackwell Chooses Waves for A$AP Rocky Tour

KNOXVILLE, TN March 8, 2019 FOH and monitor engineer Brandon Blackwell (Camila Cabello, Big Sean, PartyNextDoor) chooses products from Waves Audio, including MultiRack SoundGrid®, Waves SoundGrid Extreme Server and Waves Plugins, for A$AP Rocky’s Injured Generation Tour.

Brandon describes his setup: “I spec’ed a DiGiCo SD12 which sounds phenomenal! To go with the console package, I added a Waves Extreme Server running plugins on an external computer via Waves MultiRack, which has been super helpful because it frees up the master screen of my console. Everything is sync’ed from the audio console to the host computer, which makes life so much easier; especially because I rely heavily on snapshot scenes.”

He adds, “The production has changed a decent amount since the last time I mixed for A$AP Rocky, which was in 2015. During that time we were using a couple of DJ rigs for our playback source. But for the Injured Generation tour, we went to a 10-channel Ableton playback setup with stems, which has given me the control I always wanted, as there’s usually a lot going on in Rocky’s tracks. In terms of production, on the previous tour we had a minimum of six performers on stage at one time. For this run, it is just Rocky on stage with hype-man A$AP Twelvyy on the side of the stage.”

About using Waves plugins, Brandon comments, “All of our show vocals run through basically the same chain, while Rocky’s are a little different with the added outboard gear. For Rocky, the channel first goes to Insert-A, which is Waves MultiRack, where I first have the R-Channel plugin. Here I am doing EQ, high-passing and light gating. I love the way the gate sounds; it’s so natural that you can’t really hear it open or close. I use this especially when Rocky is on the B-Stage in front of the PA. It gives me a little more gain before feedback.

After the R-Channel is the F6 Floating-Band Dynamic EQ with the visual RTA, which takes care of all the dynamic vocal changes. Rocky can go from talking to the crowd into rapping a song, singing a ballad and then screaming at the top of his lungs! All of those dynamic changes, plus sometimes cupping the microphone, would lead me to chase EQ all night long. Having F6 lets me shape his voice for all of those variables. I use the F6 a lot. One of the last places you will find it is on my ‘All Music’ sub-group. This is where I sidechain my ‘All Vocal’ sub-group and use the external source to carve space within the music. My thought process on mixing vocals is that you shouldn’t just use amplitude to put them on top of the music, but create the space for them with subtractive dynamic EQ. In my opinion, the key to a massive wall of sound is using every frequency that we can hear.”

Brandon adds, “There are a few other plugins being used for very specific technical tasks and taste. On my record bus, I have the SSL G-Master Buss Compressor and the L3 Multimaximizer. The SSL Comp has always been my go-to on outputs including IEMs, so I added it to my record bus to get it punchy and warm. I am not doing much reduction because the L3 follows it to get the mix louder! On my d&b E8 near-field monitors, I have the Q10 Equalizer for correction and to flatten them out. I tend to throw a decent amount of delays. One delay to match the record, and another to have a little fun and keep the crowd on their toes. I am also using H-Delay, and it’s been my go-to. I can have multiples of them set up for 1/4 and 1/8 notes and just tap the host tempo and all of my delays are in time.”

Brandon remarks, about engineering the show, “I’m always on pins and needles right before the show. I tend to have this routine after we line-check our inputs and then I kind of step back from the console to just collect my thoughts and focus in on what I have to do for the show. Once I hear the cue for house lights and music, all I am waiting for is to hear his vocal. That is the start of my race! After that, I can sit back and get comfortable. I sometimes walk away from the console and go into the crowd to make sure everyone is hearing close to what I’m hearing at FOH. That’s when I’m at my happiest because you can just see the joy on people’s faces. I am so blessed to have the opportunity to be even a tiny part of their happiness.”


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Photo file: BrandonBlackwell.JPG
Photo caption: FOH and monitor engineer Brandon Blackwell (photo by Julien Jarry).

About Waves Audio Ltd.:
Waves is the world’s leading developer of audio DSP solutions for the professional, broadcast, and consumer electronics audio markets. Since its start in the early '90s with the introduction of the Q10 equalizer plugin, Waves has gone on to develop a comprehensive line of over 150 audio plugins, including industry standards like the L1 and L2 Ultramaximizers, popular vintage console models, and innovative mixing tools like Vocal Rider and the Artist Signature Series. For its accomplishments, Waves received a Technical GRAMMY® Award in 2011, and the Q10 was selected as an inductee into the TECnology Hall of Fame. In 2016, Waves released the eMotion LV1 mixer, a revolutionary live digital mixing console that provides real-time audio mixing for front-of-house, monitor, studio and broadcast engineers. Waves technologies are now used to improve sound quality in virtually every sector of the audio market, from recording, mixing, mastering and post-production to broadcast, live sound, and consumer electronics. Waves has over 25 years of expertise in the development of psychoacoustic signal processing algorithms that leverage knowledge of human auditory perception to radically improve perceived sound quality. Waves’ award-winning processors are utilized to improve sound quality in the creation of hit records, major motion pictures, and top-selling video games worldwide. Waves offers computer software and hardware-plus-software solutions for the professional and broadcast markets. The company’s WavesLive division is a market leader in all live sound sectors, spearheading the development of solutions for all live platforms. Under its Maxx brand, Waves offers semiconductor and licensable algorithms for consumer electronics applications. Waves technologies dramatically enhance audio performance and are used by industry leaders such as Dell, Google, Fitbit, Acer, Asus, Hisense and more.


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