home


Photo File
(Click for high-res
JPG image)



Sound designer
Jonathan Deans

 


PRESS RELEASE
Contact: Clyne Media, Inc.
Tel: (615) 662-1616
Fax: (615) 662-1636

FOR IMMEDIATE RELEASE

Sound Designer Jonathan Deans Chooses Waves for Jagged Little Pill: The Musical

KNOXVILLE, TN, January 3, 2019 Top sound designer Jonathan Deans (Waitress, The Beatles LOVE) chooses plugins from Waves Audio , a leading provider of digital signal processing solutions, for the hit rock musical Jagged Little Pill, which debuted earlier this year at the American Repertory Theater (A.R.T.) at Harvard University in Cambridge, MA, with music and lyrics by Alanis Morissette and Glen Ballard and a book by Diablo Cody.

Jonathan Deans is one of the foremost sound designers working in live and venue productions today. His system designs are used in the world’s most prestigious theaters, from Broadway to London’s West End, from Los Angeles to Las Vegas and Macau. His work has graced productions from Tempest and Finding Neverland to La Cage aux Folles, as well as many Cirque du Soleil productions, including Michael Jackson’s ONE and The Beatles LOVE – all in addition to world tours and large-scale work in entertainment venues, theme parks and interactive soundscaped venues.

Deans comments, about the Jagged Little Pill show preparations, “It’s been a truly collaborative experience over many months with the music team, director and all the creatives, and also with the American Repertory Theater, along with Sam Lerner, who heads the sound department at the A.R.T. Selecting the sound team is a major concern, and for Jagged Little Pill it proved to be a blessing. In the case of this show, where there is a band on stage, only part of the band participates in the technical rehearsals; the rest join in the final week before the first performance. You need to have a team that understands the task at hand, with minimal room for mistakes or experiments. We must have our ideas, thoughts and systems ready to go. The sound team must be organized and experienced.”

About his setup, Deans remarks, “The overall setup includes Shure digital wireless for vocals, instruments and in-ears; DiGiCo SD10 for band monitors; a KLANG in-ear mixing system; DiGiCo SD7T as the front-of-house console; two Waves SoundGrid Extreme servers (one main, one backup); the Waves MultiRack software outboard host that lets us run plugins in real time during the show; Meyer D-Mitri interfacing with the DiGiCo console for matrixing and output spatialization; Meyer Galaxy speaker management; and a Meyer main and surround speaker system.”

He adds, about using Waves plugins, “With Jagged Little Pill, we wanted to create an immersive experience. From early conversations with Tom Kitt, the orchestrator, music arranger and supervisor, it was clear that the intention is to deliver the sound as a full sonic experience, supporting the storyline. Depending on the style of music, plugins can help to create controllable and repeatable sonic images, to be layered into the mix by the front-of house mixing engineer. The H-Comp Hybrid Compressor is a great compressor for live theater: it’s bold, quick and easy to use. The S1 Stereo Imager , helps me create space within the proscenium speaker towers, and the C6 Multiband Compressor can vary from being a subtle treatment to a hard-handed multiband compressor.”

Deans remarks, about handling the combination of dialogue and singing during the show, “The difference of how a microphone and sound system works for actors’ dialogue and singing is significant depending on each performer, so I use the C6 Multiband Compressor followed by Waves DeEsser on certain vocalists. The DeEsser also solves issues created when actors are catching their breath, as well as for controlling sibilance.” He adds, “I also use the Waves Abbey Road Reverb Plates on the strings, because how can you not! Having worked on Cirque du Soleil’s The Beatles LOVE production and visiting the historic Abbey Road Studios, I was able to understand how and why the studio became such a legend. Beyond that, Renaissance Reverb is the main reverb that I use for drums and acoustic guitars. I am also doing parallel drum processing, which changes from song to song so that it will be relevant to the sound and story concept. The Waves SoundGrid servers allow me the processing power to do all of this, and the Waves’ technical support team have also been great at responding quickly to questions from our sound team, which is an important service when working on live productions!”

Deans summarizes, “Without plugins, it would be quite a different show. I would not have been able to achieve the tonality required for the performances, with the goal of creating a sonic experience fitting for an audience of all generations. Plus, using this setup has enabled me to respect and stay true to Alanis Morrissette’s music, her overall wishes, and the expectation of the fans – including me!”


...ends 765 words


Photo file: JonathanDeans.JPG
Photo caption: Sound designer Jonathan Deans

About Waves Audio Ltd.:
Waves is the world’s leading developer of audio DSP solutions for the professional, broadcast, and consumer electronics audio markets. Since its start in the early '90s with the introduction of the Q10 equalizer plugin, Waves has gone on to develop a comprehensive line of over 150 audio plugins, including industry standards like the L1 and L2 Ultramaximizers, popular vintage console models, and innovative mixing tools like Vocal Rider and the Artist Signature Series. For its accomplishments, Waves received a Technical GRAMMY® Award in 2011, and the Q10 was selected as an inductee into the TECnology Hall of Fame. In 2016, Waves released the eMotion LV1 mixer, a revolutionary live digital mixing console that provides real-time audio mixing for front-of-house, monitor, studio and broadcast engineers. Waves technologies are now used to improve sound quality in virtually every sector of the audio market, from recording, mixing, mastering and post-production to broadcast, live sound, and consumer electronics. Waves has over 25 years of expertise in the development of psychoacoustic signal processing algorithms that leverage knowledge of human auditory perception to radically improve perceived sound quality. Waves’ award-winning processors are utilized to improve sound quality in the creation of hit records, major motion pictures, and top-selling video games worldwide. Waves offers computer software and hardware-plus-software solutions for the professional and broadcast markets. The company’s WavesLive division is a market leader in all live sound sectors, spearheading the development of solutions for all live platforms. Under its Maxx brand, Waves offers semiconductor and licensable algorithms for consumer electronics applications. Waves technologies dramatically enhance audio performance and are used by industry leaders such as Dell, Google, Fitbit, Acer, Asus, Hisense and more.


All other product names and trademarks are the property of their respective owners, which are in no way associated or affiliated with Waves.

North America Offices:
Waves, Inc., 2800 Merchants Drive, Knoxville, TN 37912;
Tel: 865-909-9200, Fax: 865-909-9245, Email: info@waves.com, Web: http://www.waves.com

Corporate Headquarters Israel:
Waves Ltd., Azrieli Center, The Triangle Tower, 32nd Floor
Tel Aviv 67023, Israel; Tel: 972-3-608-4000, Fax: 972-3-608-4056, Email: info@waves.com,
Web: http://www.waves.com

Waves Public Relations:
Clyne Media, Inc., 169-B Belle Forest Circle, Nashville, TN 37221;
Tel: 615-662-1616, Fax: 615-662-1636, Email: robert@clynemedia.com, Web: http://www.clynemedia.com



 










Copyright 2019, Clyne Media, Inc.,
All Rights Reserved.