With a certain Mac-based application dominating the early days
of the transition from analog to digital audio production boosters
of the PC platform have typically taken the road less traveled.
Fred Maher is no exception; an early adopter of DOS-based sequencer
programs who, like many, subsequently made the move to Pro Tools,
Maher returned to the PC when he was asked to work with Steinberg’s
Nuendo production system on a Korn project in 2001, and has not
looked back.
“That changed everything,” Maher admits, “when
I found Nuendo and the whole idea of host-based apps, and the
idea that I didn’t have to go out and buy ten thousand dollars-worth
of DSP cards that were going to be doorstops in a year.”
Coincidentally, that was also the session at which Maher first
met Tom Bolton of PC AudioLabs, from whom he has just purchased
his latest Intel multi-core computer setup. “Tom came in
one day and my head was on fire and nothing was working. I was
kind of new to PCs and Tom came to the rescue and sorted me out.”
Maher—musician (drummer with ‘70s band Material along
with fellow musicians-turned-producers Michael Beinhorn and Bill
Laswell, and with Scritti Politti), programmer, composer, engineer,
producer, editor, mixer and remixer, consultant—also met
Steve Garth, former CEO of Steinberg North America, as a result
of his adoption of Nuendo. Maher, Garth and Jayce Murphy have
since established OBEDIA (Obedient Media) to provide pro audio
clients with the best possible software and hardware service,
support and training.
According to Maher, the new system from PC AudioLabs, which features
dual Intel quad core processors, has put a lot more power at his
fingertips. “I can run more plug-ins, more virtual instruments;
there’s just more DSP overhead. I’m able to run bigger
sessions more solidly. And then, with 64-bit Windows, it even
gets crazier because of the extended memory access.”
Maher’s favored software and hardware includes Waves (he’s
a beta tester) and Universal Audio UAD1 plug-ins, Cubase, and,
of course, Nuendo. “I do run ProTools,” he reports.
“I have an LE system that works great.” Although,
he notes, “RTAS is not as efficient as VST so you don’t
get the gas on a Pro Tools LE machine that you would out of Cubase
or Nuendo.”
As for peripheral hardware: “I use Lynx Audio AES16 audio
cards and the Aurora 16 converter card, which is the best stuff
out there. I am using a Waves APA [Audio Processing Accelerator],
which is an ingenious external box that provides extra DSP for
their plug-ins. It takes even more pressure off of the system,
but with the dual quad core machine is almost unnecessary.”
Even though, as he says, “I’m a very in-the-box kind
of guy,” Maher does use some outboard devices. “I’ve
got a couple of vintage analog pres, mostly for capturing the
input. Every once in a while I’ll use a compressor as an
insert on something like a bass or vocal. It’s weird—so
much stuff is amazing in the digital domain, particularly EQs
and effects like reverbs and delays, but real world classic compressor
emulations are not really there yet.”
The new Intel multi-core processor provides a lot of power for
a host-based app, Maher reports. “I did a test in which
I was able to run 225 Nuendo multi-band compressors on this machine—pretty
amazing. With machines prior to this I would have to start bouncing
tracks, but on the 8-core system I have yet to hit the wall in
a project. I have tons of overhead and it’s great.”
Maher has already had the opportunity to use the new machine,
including a new DTS trailer destined for the new Blu-ray and HD
DVD disc formats. “It’s in 96kHz in surround; I used
Nuendo for that on the new machine. And I’m going to remix
one of BT’s tracks from ‘This Binary Universe’
in 7.1 for demonstration at the AES Convention in Vienna. I’ve
also done some songwriting with my significant other, Jennifer
Crowe, who is a singer and lyricist.”
PC AudioLabs’ support has been exemplary, according to
Maher. “These guys are the best. If I have a question, I
just call them up and they can usually sort it out over the phone
pretty quickly. I always recommend them to my colleagues when
they are looking to get a system built for audio. All that stuff,
it’s very difficult for creative people to get involved
with.”
He elaborates, “Usually the first mistake people make is
that they go to an off-the-shelf consumer computer and try to
do audio on it and eventually there is a problem that can’t
be fixed. You don’t have to worry about whether a certain
kind of interface will work with a certain motherboard—PC
AudioLabs worry about that stuff.”
Maher offers a final piece of advice: “It’s always
worth it to go that extra five to 10 percent in your budget to
get at least close to the latest and greatest technology. With
the Intel multi-core chips, there has just been a quantum leap
in the power. When you went from a dual Xeon machine to a dual
dual core Xeon machine, you literally got a 100 percent jump in
performance. And the eight core machines come close to even 100
percent more than the quad cores. So you should always go that
little extra in your budget if you can.”