Pat Thrall, producer, mixer and engineer who initially gained
recognition as a guitarist with the Pat Travers Band, Hughes/Thrall
and Asia, among others, has been busy mixing and engineering several
projects these days at The Studio at the Palms in Las Vegas. A
recent upgrade from a Mac G5 to Mac Pro with Intel’s multi-core
processors has had quite an impact on his mixing abilities, he
reveals - significantly improving the speed and processing capabilities
of his preferred digital audio workstation, Digidesign’s
Pro Tools.
“Mixing within Pro Tools really taxes the computer because
I use a lot of effects and a lot of RTAS plug-ins, which are dependent
on the CPU of the computer,” shares Thrall. “That’s
where the Intel-based Mac Intel is a champ, because I have so
much more computing power now. I can use these plug-ins and not
worry about the computer choking.”
He elaborates, “I used to hit a wall with the pre-Intel
version of the Mac. The computer would start stuttering, then
stop and tell me that I would have to eliminate some of the RTAS
plug-ins from the session. I would then have to bounce my effects
over to their own tracks so I could then open up more plug-ins
to get more effects, eq or compressors, etc.”
That’s a time-consuming process that slows the work flow.
Mixing is about getting in a groove and staying there - such as
on two of his recent releases - remixes of classic Miles Davis
tracks (Evolution Of The Groove-Sony Legacy) or Sly and the Family
Stone (Different Strokes for Different Folks-Sony Legacy). Thrall
who has also worked with John Mayer, Backstreet Boys, Steven Tyler,
Bono, Dave Stewart, Beyoncé, Elton John, Meat Loaf, Stevie
Wonder and many others in a variety of engineering, programming,
editing or performing capacities, is grateful for the benefits
that Intel imparts.
Having Intel power at his fingertips, he says, “has allowed
me to use many more reverb and delay plugin's within Pro Tools,
which can be very demanding on computing power. Now, I can run
things in real time and I don't have to compensate for any 'weakness'
of the computer."
That has been good news for Thrall’s mix projects, which
have included the new “Strength & Loyalty” album
from Bone Thugs-n-Harmony, “America's Got Talent”
winner, Bianca Ryan, and several tracks on Clay Aiken’s
most recent album. The increased processing power has also been
noticeable on one specific RTAS plug-in.
“I’ve been developing a drum library with Toontracks.
The latest product is called EZ Drummer and I also use their Superior
series libraries which can be very demanding on RAM and the CPU.
We are releasing Superior 2.0 early next year that will have some
amazing multitrack drum kits recorded at the best studios in New
York. When the Superior series software was first released the
computer would have a hard time dealing with complex drum patterns.
They streamlined the software and now using the Mac Intel it’s
a breeze. I can have the most complex drum performances running
in real time through the plug-in and the computer cruises right
along.”
The first benefit Thrall noticed when he upgraded to the Mac
Intel was that the computer boots a lot quicker. Secondly, he
says, “It’s so incredibly fast for doing any kind
of off-line processing. When you’re doing offline processing
or bringing audio files into a session, you really notice the
speed difference. Before, when I’d import high sample rate
audio files into a Pro Tools session, it felt like it was taking
forever when I had a room full of clients. Now, everything happens
so much quicker.”
“When I did the Bone Thugs mix, it came from three different
producers from three different studios. There were technical issues
as far as different sample rates and even some timing issues (one
producer thought the song should be a bit slower)ß. Bringing
all of these tracks together into one master session in the pre
Intel days could take quite a while.” But with the new Mac
Intel computer, he reports, the disparate tracks loaded inside
a single session in about one minute: “It was stunning!”
"Having that additional processing power makes my job easier
because I don’t have to think about the limitations of the
computer like I used to. In Pro Tools they have what they call
gas gauges, so you can see how hard the computer is working. I’d
really have to keep an eye on that back in the day and alter certain
plug-ins or use plug-ins that weren’t as high quality. Now
I can use the high quality plug-ins and use a lot more of them.
It’s accelerated my whole process.”
That in turn has freed him up to do his job more efficiently
and be more creative: “I don’t have to think as much
about what is going on technically in a session. Before, if I
ran out of computing power, I’d have to create new tracks,
aux things out to those tracks and record them and record them
in real time, then reset levels, adjust the new plug-ins, and
then sometimes have to reboot the session to refresh the computer.
He continues, “That definitely affects creative flow, because
you’re thinking technically and not artistically. That is
now all in the past. The Intel Mac has enhanced the creative aspect
of my work. What else could you ask for?”